End-to-end audio services for game development
teams, combining creative expertise with
technical know-how.
Sound Design & SFX
Sound designed to make every action readable and every environment believable. Backed by 100+ projects, with assets named and ready for your pipeline.
Gameplay & In-Game Sound DesignWhen a hit lands or an ability fires, players should know instantly. Purpose-built audio keeps actions clear and responsive inside the build.
Foley & Field RecordingA world feels more believable when its materials, movements and spaces sound like they belong there. Original recordings bring character beyond generic sound libraries.
Cinematic Sound DesignPicture changes are inevitable. Sound sessions built for revisions keep every new cut moving without rebuilding the work or slowing down production.
UI Sound Design & Custom SFX PacksMenus get heard thousands of times. Clear, varied UI feedback keeps navigation satisfying without becoming exhausting after hours of play.
On-Demand Sound DesignNeed ten sounds this sprint, fifty next month? Get production-ready SFX in your format and naming conventions, without bringing in a whole team.
Original Music
A score should feel like it belongs to the game's world, not a music library. Original themes with the loops, layers and transitions interactive play demands.
Game Music Composition & ProductionGive your game a musical identity players recognize. Composition, instrumentation and live recording shaped by its world, characters and tone.
Adaptive & Interactive MusicCombat starts, exploration returns, tension builds. Music shifts with gameplay through tested layers, states and transitions, without jarring cuts.
Music Loops & TransitionsHours of play shouldn't expose the loop. Musical variations and seamless transitions keep the score engaging through long sessions.
Orchestral Recording & ProductionFrom a small ensemble to a full orchestra, live musicians bring the right scale and expression where the score needs it. No oversized production for its own sake.
Original Songs & SongwritingA song that sounds like it comes from your game's world, not one pasted over it. Original lyrics, arrangements and production shaped by its story and score.
Technical Audio
Sound that reacts to gameplay rather than playing on top of it. Interactive systems, spatial behavior and dynamic mixes built to perform on target hardware.
Unreal Engine and UnityAudio implementation that fits the architecture already in place. Unity and Unreal work delivered in your conventions, so engineers can review it instead of rebuilding it.
Optimization, Profiling & DebuggingThe mix may sound great until it hits the target device. CPU, memory, voice count and bank profiling catch bottlenecks before they become release problems.
FMOD and WwiseAn FMOD or Wwise project your team can actually navigate. Clear events, optimized banks and documented parameters prevent the next milestone from becoming archaeology.
Game Mixing: Stereo, 5.1 & AtmosDialogue stays intelligible, gameplay cues stay present and music has room to work. In-build mixes tailored to the platform, from stereo to surround or Atmos.
Audio Programming & Custom ToolingWhen the engine's standard tools hit a wall, your game shouldn't. Custom audio systems built around specific mechanics, documented for long-term maintenance.
Voice-Over Production
One voice pipeline from casting to cleaned dialogue. Tracked lines, consistent specs and files ready for implementation, without hunting for missing takes.
CastingA strong performance begins with a voice that fits the character. Auditions from a pool of 200+ voices help make casting decisions before sessions are booked.
Voice DirectionCharacters should sound like themselves across actors, sessions and languages. Consistent voice direction protects the performance as production expands.
RecordingRemote or in-studio, every session follows consistent specs and line tracking. Less time reconciling recordings, more time getting dialogue into the build.
Dialogue EditingDialogue arrives cleaned, named and complete with metadata. Ready for localization and implementation, without another round of file sorting.
Multi-Language ProductionOne game, multiple languages, consistent performances. Unified direction, recording specs and file structure make localization easier to review and ship.
Cinematics & Trailers
The edit keeps moving. Sound, music, VO and final mixes follow through revisions, with assets delivered to the format and specs the release needs.
Game Trailer Sound DesignA trailer has seconds to make its point. Sound built around gameplay beats makes the action readable and gives important moments room to hit.
Dialogue & SFX EditingNew cut? Your session shouldn't start over. Dialogue and SFX organized by revision make picture changes easier to handle and safer to deliver.
Original Music & ScoringMusic begins while the picture is still taking shape. Each new cut can inform the score, instead of forcing a rushed fix at picture lock.
Stereo & 5.1 Surround MixingA mix that translates to its destination. Clear dialogue, controlled dynamics and correctly prepared stems for stereo, 5.1 or Atmos delivery as required.
Feature Animation & Cutscene AudioSound follows the story from animatic to final cut. Shared planning across scenes and episodes keeps audio consistent even as the edit changes.
Audio CoDev
Audio capacity that fits the project, not another workflow to manage. From asset deliveries to embedded teams, production stays coordinated inside your process.
Embedded SpecialistsKeep creative control without carrying every production task. Audio specialists join your tools, sprints and reviews, adding capacity without a second pipeline.
External Audio TeamOne audio team, one point of contact, fewer moving pieces. Sound design, music, VO and implementation coordinated inside your production pipeline.
Dedicated Production SupportStop rebriefing a new team at every milestone. Familiar specialists, agreed deliverables and regular reviews keep production moving.
Long-Term CollaborationYour audio pipeline shouldn't reset at every milestone. A continuous partnership keeps project knowledge, creative decisions and technical context in place.
Scalable Pipeline SupportNeed one specialist now and a team later? Expand audio capacity without replacing the workflow, naming standards or documentation your project relies on.
Collaborate with Flutu
What We
Bring In
Excellence in sound and music for video games and animation.
Adaptable, fun-loving humans who care about the craft,
enjoy collaborating with developers and producers,
and love shipping great games together.
Get used to walking into each review with audio on time, on budget and approved.
One Team, One Pipeline
Full transparency. We work inside your tools and deliver straight into the build, ready to play.
Players Feel Every Action
We design sound as feedback for each mechanic, so gameplay reads instantly and the world feels inhabited.
A Project Your Team Can Own
We implement, profile and document everything, so your team can maintain and expand it long after delivery.
FAQ
Before you reach out.
Can we test you before committing to a full scope?
Yes, with a small paid pilot: one feature or a batch of around 10 sounds from a single family, with a fixed delivery date. The pilot is credited toward the full scope if we continue. We don't do free tests, because a test without a real brief tells you very little.
We only need a handful of sounds. Is that too small?
No. We quote exactly the size you asked for, one option instead of three. Small batches start at around 10 assets with a clear per-unit price.
Can you send a price range before we get on a call?
Yes. Send a short scope, an asset list or a gameplay capture and we reply by email with a price range within one business day.
What is included in the price?
Audio direction, revisions, QA and technical delivery: files named, formatted and ready for your pipeline. When implementation is in scope, we also integrate and test the audio in your build.
We already have a composer or audio vendor. Can you still help?
Yes. We often work alongside them: sound design, implementation and mix while your composer delivers stems, or as a second team on an isolated module when your current vendor is at capacity.
Do you work on revenue share?
No. For teams waiting on funding, we start with a small paid pilot now and scale the scope once the budget is in place.
Are you ready to have great sound in your projects?
Tell Us more about your project.
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