Understanding Production Constraints
The Flutu team quickly understood the project, its vision and our audio goals. They respected our constraints, tested different approaches, communicated extensively and over-delivered.
Technical Audio for Games
Too Many Audio Tasks, IN your backlog?
Launch is almost there, and your team is already busy. We're here to help with audio implementation, bug fixing, and whatever else it takes to make your game sound better and your work easier.
Talk to an Audio SpecialistKeep your team focused. We'll handle the audio backlog.
12+
Years in Audio
Trusted Global Partner
Tech Agnostic Team
10+
Game Audio Specialists
Scopely·
Garena·
Kuro Games·
Perfect World·
Yostar Games·
Paramount·
Webcore·
Spatial Audio Implementation
On Fendaara, Flutu's technical mastery of spatial audio inside the game engine was essential to achieving the sense of immersion we were looking for.
FMOD Knowledge Transfer
Flutu shared FMOD knowledge with our team. They delivered great audio and helped us understand the tools so we could push the work further ourselves.
Real-Time Music Solutions
Flutu helped us find alternative solutions to a technical problem involving real-time music control in our main technology product.
Technical Audio
Audio that works in the build.
Any engine. Any middleware. Any stage of production.
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Integration
Audio wired into gameplay.
SFX, VO and interactive music connected to your game logic. Events, triggers, adaptive transitions and localization that hold up across builds.
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Audio Systems
Audio that reacts to the game.
Audio managers, dynamic mixing, spatial audio, occlusion and multiplayer voice. Built from scratch or rebuilt around how your game actually plays.
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Bug Fixing & Porting
Stable, optimized, ready to ship.
Missing sounds, broken portals, memory spikes, platform ports. We profile, fix, validate the build and hand off everything documented.
Iteration Until It Works
Flutu kept exploring and refining a particularly challenging sound until we found the right emotional tone. Their persistence, technical skills and clear communication made a real difference to the game.
Reliable Delivery Across Media
Flutu integrated the TV series trailer theme music with our game demo. They brought innovative ideas, communicated clearly and consistently delivered high-quality work within the agreed timelines.
Audio Synchronized With Production
Flutu paid close attention to audio quality and synchronization throughout the project. They were always available to help overcome challenges while maintaining high standards of delivery.
Processes That Move Production Forward
Flutu put production processes and agile methodologies first, helping our team move development forward. Their professionalism and experience across music and sound effects made them a valuable production partner.
We work inside your build.
| What's covered | Flutu | Asset-only studio | Your team alone |
|---|---|---|---|
| Audio implemented in the game | Done by us | Files handed off | Adds to your backlog |
| Audio systems and middleware | Built in your stack | Out of scope | Adds to your backlog |
| Interactive music and dialogue | Integrated and tested | Delivered as files | Adds to your backlog |
| Bugs, profiling and QA | Fixed in the build | Not included | Adds to your backlog |
| Documentation and handoff | Included | Asset list only | Usually skipped |
We work with the engine, middleware and tools your team already uses. Final scope is defined in the statement of work.
Implementation
Every feature gets its sound.
Animations, gameplay triggers, dialogue and cutscenes connected to game logic. Your designers review behavior in the build, not event wiring.
Systems & Music
More behavior. Fewer assets.
Event structures, parameters, mixing and music states. Controlled variation so content grows without multiplying one-shot files.
QA & Performance
Find it. Fix it. Verify it.
Missing events, broken bindings, voice stealing, memory spikes. Profiled, fixed and validated in playable builds before your next review.
Problems we've already solved.
Built in production and reused across projects. You get the fix, not the R&D bill.
SystemsInside your game
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Players can't tell where shots come from.
Competitive shooter audio.
Positional accuracy, threat priority and distance layers that keep combat readable.
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Every room sounds the same.
Portals and reverb management.
Sound flows through openings and reverb blends smoothly between spaces.
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Sounds play straight through walls.
Occlusion system.
Audio muffles through geometry, tuned to your level design.
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Enemies ignore the noise the player makes.
Sound-driven AI perception.
Footsteps, impacts and doors become stealth mechanics.
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Ambience loops get repetitive fast.
Generative ambience.
Layers that rebuild themselves in real time. Never the same twice.
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Audio logic is scattered across the codebase.
Central audio manager.
One place for pooling, mixing, music states and SFX. Lightweight, no extra license.
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New languages break the voice-over.
Multilingual localization.
Language switching, fallbacks and dialogue sync across every locale.
ToolsInside your production
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Every cinematic re-cut breaks the audio.
Cinematic audio in the engine timeline.
Edits resync in minutes, not days. Sound follows the cut.
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Footsteps fire on the wrong frame.
Animation debugger.
Every audio event visible on the animation timeline. Timing fixed by eye, not by guess.
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Nobody can see what audio is doing at runtime.
Runtime profiling.
Live view of active voices, events, CPU and memory while you play.
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Audio is eating frame time and memory.
Performance optimization.
Voice limits, streaming and memory budgets tuned for each target platform.
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Nobody knows what's broken in the audio project.
Automated audio audit.
Unused events, missing assets and routing issues, delivered as a prioritized backlog.
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Audio tasks pile up every sprint.
Anti-crunch pipeline.
Modular asset lists, review gates and versioned handoffs.
Technical audio, clear answers.
Can you work inside our engine and existing audio project?
Yes. Any engine, any middleware, including in-house tech. We follow your conventions and improve what's already there instead of rebuilding it.
Do you replace our audio director or programmers?
No. Your team keeps creative direction and reviews our work. We take ownership of defined tasks or join as extra technical capacity.
How is the work scoped?
From a single feature to embedded specialists. Most projects start with an audio audit, and the statement of work defines deliverables, access, review points and handoff.
Can we hire you just for QA, profiling or bug fixing?
Yes. As a focused task or ongoing support: bug triage, runtime profiling, performance optimization and regression checks before each milestone.
Do you handle animations, music and cinematics?
Yes. Animation events, adaptive music, dialogue triggers and cinematic sync, always validated in the actual build.
Do you support dialogue and localization?
Yes. Branching dialogue, organized voice content, multilingual playback and fallback testing across every locale.
Can we get more variation without producing more assets?
Usually. Randomization, parameter-driven layers and generative systems make existing material go much further. The right approach depends on the game.
Still have a question?
Talk to an Audio Specialist